Best movies on Disney Plus UK to watch right now

Paul Rudd returns as the Avengers’ insect-sized superhero in his third — and best — solo outing. Rudd’s Scott Lang is pinged into the subatomic “Quantum Realm” along with his techie daughter (Kathryn Newton), his crime-fighting partner the Wasp (Evangeline Lilly), and her scientist parents (Michael Douglas and Michelle Pfeiffer). What follows is a rollicking Star Wars-inspired adventure with all manner of freaky aliens and psychedelic visuals. This is tremendous fun, and a great way to kick off the next phase of Marvel’s ever-more-epic cinematic saga.

James Mottram

This sparky British comedy follows two 20-something strangers as they spend a day together on the streets of south London. Yas (Vivian Oparah) is a garrulous, wannabe costumer designer, while Dom (David Jonsson) is an awkward accountant who’s still not over his ex. After they randomly meet in a unisex toilet, the pair bond over their respective romantic disasters, and Yas comes to Dom’s rescue when she accompanies him to a meet-up with his ex-girlfriend (Karene Peter) and her new partner (Benjamin Sarpong-Broni).

What follows is a rollercoaster of confession and emotion, interspersed with mischievous high-jinks, and lovable, star-making turns from Oparah and Jonsson.

Emma Simmonds

Writer/director David Lowery previously helmed the terrific Pete’s Dragon remake in 2016, and here he reimagines another Disney film, with charming results. The familiar story follows Wendy Darling (Ever Anderson) and her brothers as Peter Pan (Alexander Molony) leads them on a swashbuckling escapade to Neverland, where they battle formidable baddie Captain Hook (Jude Law).

Although not as consistently enchanting as Lowery’s best work, the film sees him injecting a real sense of wonder into the adventure, something that’s sorely lacking in some of Disney’s more mechanical live-action remakes.

Patrick Cremona

Sam Mendes’s ambitious first film as solo writer and director is informed by memories of his mother’s mental illness. Taking a personal rather than an autobiographical approach, he tells the story of Hilary (Olivia Colman), the duty manager of a fictional seaside cinema in the early 1980s. Numbed by the lithium she has been prescribed as part of her recovery from a breakdown, Hilary leads an isolated but otherwise stable life. However, when romance with a younger black colleague (played with warmth and sensitivity by Micheal Ward) opens up her world, she secretly comes off her medication.

Mendes waxes lyrical about the importance of cinema, and Empire of Light feels like it comes straight from the film-maker’s heart, direct to ours. Which, for a film about human connection, is perfect.

Stephen Applebaum

There’s no doubt that last year’s Black Panther sequel was the talk of the town, not least because it so beautifully paid tribute to former leading star Chadwick Boseman.

While this movie is certainly a tear-jerker, it also thoughtfully moves the story on and introduces new characters like Namor (played by Tenoch Huerta) and sees other characters, like Letitia Wright’s Shuri, take on a more pivotal role in the movie franchise.

The sequel bagged five nominations for the 95th Academy Awards, including Costume Design, Visual Effects, Best Song, and Makeup and Hairstyling, so now is the time to watch it on Disney Plus if you missed the film during its time in the cinemas.

Morgan Cormack

Like Moana and Frozen with added “butt-kickery”, Disney’s 59th animated feature is an energetic meld of myth and martial arts with a determined young woman’s learning curve at its heart. Impeccably voiced by Kelly Marie Tran (Star Wars Episode VIII: the Last Jedi), Raya is a would-be warrior and “dragon nerd” from Kumandra, a once-great dragon-worshipping kingdom racked by conflict. To restore its glory, Raya and comedy critter sidekick Tuk Tuk (Alan Tudyk) set out to resurrect lost water dragon Sisu (Awkwafina in peak comic form), repair a shattered magical gem and unify a splintered nation.

With a winning heroine, dazzling backdrops and rousing scoring from James Newton Howard, the spirited result fuses classic and modern Disney with vigour, verve and the coolest screen blade since Kill Bill’s katana.

Kevin Harley

This latest film from writer/director Martin McDonagh (In Bruges, Three Billboard Outside Ebbing, Missouri) is a tragicomedy starring Colin Farrell and Brendan Gleeson as two friends living on an island of the coast of Ireland. When Gleeson’s Colm announces one day that he no longer wants to be friends with Farrell’s Pádraic it sets off a spiralling series of events. It’s a film which wonderfully balances its contrasting tones, with a powerful central message about kindness in an uncaring world and big thoughts about art, legacy and mortality. It features stunning performances from the whole cast including Farrell, Gleeson, Kerry Condon and a never better Barry Keoghan.

James Hibbs

In a black comedy that takes aim at the one per cent, twelve privileged guests arrive on a private island for an evening at a gourmet restaurant run by Ralph Fiennes’s celebrity chef. Anya Taylor-Joy attends as a plus-one, but the rest comprise high-society stereotypes such as Nicholas Hoult’s pretentious foodie and Janet McTeer’s snooty critic. As the tasting begins, Fiennes raises the stakes with each course. But is this increasingly bizarre theatre part of the experience or something more sinister? The satire may not be subtle, but The Menu is never less than entertaining.

Max Copeman

Retro visuals abound in this enterprising Disney animated adventure from directors Don Hall and Qui Nguyen (Raya and the Last Dragon). The Clade family are legendary adventurers, led by gung-ho dad Jaeger (Dennis Quaid). During an excursion in the mountains of the land of Avalonia, the clan discovers electrically charged plants which could have the power to transform life in their community. However, Jaeger goes missing, and excitement-phobic son Searcher (Jake Gyllenhaal) returns to the family farm, swearing off adventure for good. Years later, though, the plants begin to die, and Searcher sets off with his own thrill-seeking progeny (Jaboukie Young-White) to find a solution.

A few story stumbles aside, this strange world is an engrossing place to be, and the film balances notions of community and inclusion – including a gay teen romance – with its guiding spirit of adventure.

Trevor Johnston

If you’re in the mood for awards fare, why not go back to this Best Picture winner from 2021, which may have slipped under your radar in the height of the pandemic? It comes from writer/director Chloé Zhao and follows Frances McDormand’s Fern, a widow who leaves her life in order to travel around the United States in a van as a nomad. Featuring stunning performances from actors and real-life nomads alike, the film plays almost as though it is part documentary and has a light touch when it comes to the drama. Poetic and slow-moving, it may not be to all viewers’ tastes, but it’s certainly almost impossible not to be in awe of the stunning landscapes and lovingly crafted cinematography.

James Hibbs

This wickedly funny riff on the work of Agatha Christie unfolds against the backdrop of 1950s London, as The Mousetrap prepares to celebrate its landmark 100th performance. Adrien Brody stars as a big-shot Hollywood director who arrives in town with plans to turn the hit play into a movie, only for a series of murders to spoil those ambitions. Aided by excellent comic direction from This Country’s Tom George (who uses split screen to especially good effect) and a zippy score from Daniel Pemberton, the film affectionately sends up whodunnit tropes while serving as a compelling and riotously entertaining murder mystery in its own right.

The script remains sharp throughout and, crucially, the final reveal will leave audiences very satisfied.

Patrick Cremona

Gabriel Garcia Bernal, Laura Donnelly and a quite magnificently over-the-top Harriet Sansom Harris (she who was once Frasier Crane’s voracious agent) star in a one-off creature feature that falls under the Marvel umbrella but is a much more playful, disposable thing than most of that TV universe’s products. Shot in black and white in homage to the horror pictures of the 1940s and 50s, and with a swooning score by Michael Giacchino, who also directs, its tale of monster hunters gathering in a spooky manor to determine their new leader is witty and knowing.

Jack Seale

Almost three decades after the cult classic premiered, the follow up to Hocus Pocus, Hocus Pocus 2, has finally arrived and is ready to get us into the Halloween spirit. The new film sees three teenage girls (Belissa Escobedo as Izzy, Whitney Peak as Becca, and Lilia Buckingham as Cassie) inadvertently resurrect the three Sanderson sisters into a modern day Salem.

Delivering to exuberant order as the Sanderson sisters, Bette Midler cackles, Sarah Jessica Parker plays the ditz and Kathy Najimy – in a decent running gag – upgrades the vacuum cleaner she used as a broomstick last time around.

Recognising the Sandersons’ importance to the title’s appeal, Jen D’Angelo’s script opens with a 1653-set origins vignette. The young Winifred (Midler), Sarah (Parker) and Mary (Najimy) were just girls who wanted to have fun after all, especially if goats’ blood-flavoured jelly (“Look, it jiggleth!”) was involved, until the pious Reverend Traske (Tony Hale) banished them from Salem.

A gag involving Winifred’s response to a smart home hub is a nice out-of-time touch, before a fond twist frames the film as a love letter to women misbehaving. Midler, Parker and Najimy don’t waste a chance to rise to their comeback occasion. “I bet you’re looking for the stage?” someone asks them. With a conspiratorial twinkle, Midler has the right answer: “Always.”

Disney’s live-action/CGI remake of Pinocchio from director Robert Zemeckis features a star-studded cast featuring Tom Hanks, Luke Evans, Joseph Gordon-Levitt and Cynthia Erivo.

The new film is mostly faithful to the classic Disney animation from 1940, telling the tale of a wooden puppet who embarks on a thrilling adventure to become a real boy. Gepetto (Hanks) treats Pinocchio as if he is his real child, while Jiminey Cricket (Gordon-Levitt) serves as his guide and conscience. Erivo is the magical all-singing blue fairy, while Evans stars as the sinister coachman.

There are also a couple of changes – including the addition of four new musical numbers, two of which are performed by Hanks. Who’d want to miss out on that?

Not all of M Night Shyamalan’s films have been greeted with unanimous praise – but one thing that just about everyone can agree on is that his 1999 effort The Sixth Sense is a terrific psychological thriller with one of the most iconic twists of all time.

Starring Bruce Willis in one of his most recognisable roles – and a truly memorable performance from child star Haley Joel Osment – the film tells of a child psychologist who takes on a particularly tricky case shortly after recovering from a violent confrontation with a disturbed ex-patient.

It’s a masterpiece of eerie suspense that eventually leads to that famous twist – which we certainly won’t spoil here.

Though it was largely overlooked by cinema-goers, Lightyear has found a new lease of life since arriving on streaming. This original Pixar film is billed as the in-universe movie that turned Toy Story’s Andy into a Buzz Lightyear super-fan, following the space ranger and his team as they take on the evil villain Zurg.

Marvel star Chris Evans takes over for Tim Allen in the role of Buzz, while the voice cast is jam-packed with more major stars including Keke Palmer (Nope), Taika Waititi (Free Guy) and Uzo Aduba (Orange Is the New Black). However, the fan favourite character has proven to be Buzz’s robotic cat Sox, who provides some of the film’s most memorable comic relief.

Taika Waititi has just got bigger and bigger over the years, with this year’s projects including Thor: Love and Thunder and Our Flag Means Death, as well as having a voice role in Lightyear. This success may have been jumpstarted by Thor: Ragnarok, but 2019’s Jojo Rabbit really brought home for the awards crowd that Waititi meant business.

It stars Roman Griffin Davis, Thomasin McKenzie and Scarlett Johansson, with Waititi himself taking on a supporting role, and tells the story of a young boy in Nazi Germany who has been deluded by propaganda and has an imaginary friend version of Hitler in his head. It’s a surprisingly sweet comedy with a heartfelt message, yet still has the strength not to shy away from the horrors of the era. Its quirky style might not be to everyone’s tastes, but if you believe in the idea of laughing in the face of hatred being the best way forward, this should suit you down to the ground.

Fans of the long-running cartoon Bob’s Burgers will know exactly what they’re getting with this film spin-off, which hits all the right notes for those who have been following the Belcher family from the beginning, but also includes plenty for new viewers to grab on to, making them want to go back and revisit all 12 seasons.

The movie follows Bob, Linda, Tina, Gene, and Louise as the family struggle to pay their loan after a sinkhole opens up in front of the restaurant. As always, the tone is heartfelt, the visual gags are numerous and hilarious and the story rips along at a pace. It’s well worth tucking in to.

In the wake of acclaimed sequel Prey, now seems like the perfect time to go back to the one that started it all and see Arnie take on the titular alien in thunderous fashion. Widely considered to be an action and sci-fi classic, the original film remains the peak of the franchise, even after having spawned so many sequels and spin-offs.

The plot is simple – Arnold Schwarzenegger leads an elite paramilitary rescue team to save hostages but encounters an alien which hunts them for sport. However, it’s John McTiernan’s solid direction and the pure nostalgia factor which make it worth revisiting time and again.

The first of three MCU big-screen outings set to release this year, Multiverse of Madness arrived to somewhat conflicted reactions. While some were satisfied with the film’s horror tropes and thrills, others were disappointed by a lack of multiversal exploration and big-name cameos.

Whatever your feeling, the film certainly made some big swings. Director Sam Raimi’s stamp is all over this outing, making it feel unique in the MCU’s canon while it fully embraces its horror inspirations, making for a somewhat gnarly entry.

It stars Benedict Cumberbatch, Benedict Wong and Elizabeth Olsen, who are all on top form, with the latter stealing the show as she fully embraces the darker side of the Scarlet Witch. And when those cheer moments and cameos do come, they still remain a thrill for fans.

Based on a true story, BAFTA-winning comedy drama Pride, from Tolkien’s Stephen Beresford, follows a community of gay activists in the 1980s as they band together to raise money for those affected by the British miners’ strike, forming the Lesbians and Gays Support the Miners campaign.

Starring Joseph Gilgun, Faye Marsay, Dominic West, Andrew Scott, Imelda Staunton, Bill Nighy, Monica Dolan and other big names, Pride is a moving, educational and warm watch, delivering a compassionate look back at a moment of hope in what was a bleak time.

Disney Plus must have Danny Boyle on the brain after it just released his new series Pistol in the UK. Now you can revisit his Oscars crowing glory Slumdog Millionaire, which shot Dev Patel into the stratosphere as a leading actor.

Patel stars as Jamal Malik in what is a loose adaptation of the novel Q&A, about an 18-year-old boy from the Juhu slums of Mumbai who gets accused of cheating after winning 20 million rupees on an Indian-Hindi version of Who Wants to be a Millionairre?.

The film was a huge hit in 2008, and while it has come under some scrutiny since for its depiction of poverty in India, it is at its heart a classic rags to riches story with a charming central performance and a stirring soundtrack.

There’s no feeling quite as powerful as nostalgia – and Chip ‘n Dale: Rescue Rangers has that in spades, particularly if you grew up with The Disney Channel in the ’90s.

This Disney Plus original, which is technically a kids’ film but targets the majority of its jokes towards their parents, picks up with the cartoon chipmunks 30 years after they hit it big with their TV show. Now estranged after Dale left Rescue Rangers to star in his own series, Chip is an apathetic insurance salesman while Dale tours the convention circuits – but when their co-star Monterey Jack (Eric Bana) is kidnapped by criminal traffickers, they team up to find him.

With a vocal cast that’s stuffed with stars (Will Arnett, Keegan-Michael Key, Tim Robinson, Seth Rogen, JK Simmons and Kiki Layne) and more cartoon characters than you can shake an animated stick at, Chip ‘n Dale is a gag-packed, self-aware satire akin to Who Killed Roger Rabbit.