Terry Staunton

Vice review: "a sinister true-life drama of Shakespearean proportions"

Mary Poppins Returns review: "reliable family fare and brolly good fun"

Robin Hood review: "a po-faced spin on a much-loved myth"

Tim Blake Nelson in The Ballad of Buster Scruggs (Netflix)

The Ballad of Buster Scruggs review: "flits from slapstick to sombre at the spin of a spur"

Bohemian Rhapsody review: "plummets into cliché at the drop of a plectrum"

First Man review: "Gosling and Foy are magnificent in an elegantly drawn portrait of the star voyager who took that one small step"

Hotel Artemis review: "a zippy, zesty shoot-'em-up that never takes itself too seriously"

Sicario 2: Soldado review "admirably sustains the intrigue, atmosphere and drama"

Daniel Brühl on new movie Entebbe, Netflix's The Alienist and mastering accents

Ghost Stories

Ghost Stories review: “the most unsettling British horror in decades”

Peter Rabbit review: "solid, box-ticking, serviceable fun"

Red Sparrow review: "probably Jennifer Lawrence's most demanding role"

The 15:17 to Paris film review: "a right-wing wet dream"

Christopher Plummer All The Money In The World

All the Money in the World: "Spacey replacement Christopher Plummer is the best thing about a curiously detached film"

Molly's Game review: "Once all the chips have been counted, this is Chastain’s movie"

Murder on the Orient Express review: "A gloriously sumptuous visual feast"

War for the Planet of the Apes review: "a dark and dreary chapter"

Spider-Man: Homecoming review: "Among the very best of the Marvel bunch"

Alien: Covenant review: Lots of scares but no meaty script in a retread of former glories

Free Fire review: "the last 90 seconds of Reservoir Dogs stretched out to 90 minutes"

Kong: Skull Island review "exciting, frightening and thrill-packed"

Rogue One: a Star Wars Story review - "The force is truly strong with this one"