Anora ending explained: Why did Ani start crying in that final scene?
Sean Baker's latest film took home Best Picture at the Oscars – here's a breakdown as to what happens in the impactful final scenes.

**WARNING: Contains spoilers for Anora**
Anora was the big winner at the Oscars 2025, bagging five awards including Best Actress for Mikey Madison, and four prizes for its director Sean Baker.
The movie tells a twisted Cinderella tale, starring Madison as a stripper whose life changes drastically when she impulsively marries the son of a Russian oligarch who had hired her to be his girlfriend for the week.
But their happily ever after soon comes crashing down when Vanya's family in Russia catch wind of the union and send a trio of local goons to iron out the situation, with their objective to annul the marriage as soon as possible.
Anora might have swept up at the Oscars, but the film has proved divisive among many viewers thanks to its swerve from romance to screwball comedy about halfway through, its hollow characterisation and its ambiguous ending.
Wondering what that final scene means and why exactly Ani starts crying? Read on for everything you need to know about the ending of Anora.
Anora ending explained: Did Ani actually love Vanya?
After Anora and the trio of goons – Toros, Garnick and Igor – are successful in tracking Vanya down, it doesn't take long before his parents arrive on the scene, with his fearsome mother displaying particular hostility towards Anora.
Despite Anora's initial objections, the annulment ends up going through in Las Vegas, and she comes to see Vanya for what he really is – an immature child who never really loved her in any meaningful way.
Igor is then asked to take her back to New York to collect her belongings from Vanya's family mansion, and it's at this point that the tone and direction of the drama slightly changes.
The pair of them spend the night in the mansion, and although Anora is at first reluctant to engage Igor in conversation, they begin to find a connection and show signs of opening up to each other, including Igor explaining that the previous day – which they'd spent desperately looking for Vanya – had been his birthday.
She also shows signs of softening towards him when she provides him with a blanket as he sleeps on the couch.
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When morning comes, he drives her back to her house and gives her the money she'd been promised, but also decides to give back the valuable wedding ring Vanya had proposed with (which they had previously taken off her).
She is clearly grateful for this gesture, and responds by beginning to give him a lap dance and appearing to initiate sex.
However, when he tries to kiss her, she resists and briefly begins to hit him. She then breaks down in tears and collapses into his arms as he consoles her.
Why did Anora start crying at the end?

This is the first time we've seen her let her guard down and become emotionally vulnerable in the film, and she begins to show the toll that events of the past few days have taken on her while she's been putting on a brave face.
It's also notable that Igor is pretty much the only person in the film who has treated her in way that isn't entirely transactional – he does seem to genuinely care about her and respect her, as has been made clear by his expressions in the background throughout the film.
It's his act of kindness that allows her to finally open up and be emotionally bare, while it also seems that she's a little uneasy about how to perceive a man who isn't interested in her for purely transactional reasons.
So, in truth, it's a complex combination of emotions that cause Anora to break down like this: processing everything she's been through in the last few days, coming to terms with the fact her apparent fairy tale is no more, reacting to the gesture of goodwill by Igor and dealing with someone who actually treats her with a degree of respect.
All these factors combine to create a powerful, bittersweet final moment.
Anora is now showing in UK cinemas.
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Authors

Patrick Cremona is the Senior Film Writer at Radio Times, and looks after all the latest film releases both in cinemas and on streaming. He has been with the website since October 2019, and in that time has interviewed a host of big name stars and reviewed a diverse range of movies.

Molly Moss is a Trends Writer for Radio Times, covering the latest trends across TV, film and more. She has an MA in Newspaper Journalism and has previously written for publications including The Guardian, The Times and The Sun Online.