When news emerged last year that Sam Mendes was planning to make four separate Beatles films – one from each of the band member's perspectives – it instantly threw up a lot of questions. In a cinematic landscape already saturated with musical biopics, was this really necessary? How much would the four films differ, both narratively and stylistically? Just how exactly would the release strategy work? And, of course, which actors would be enlisted to play the Fab Four?

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Well, we now have a definitive answer for at least one of those questions. After months of swirling rumours, and following a couple of seemingly accidental confirmations, it was finally announced for definite at CinemaCon this week that Paul, John, George and Ringo would be respectively played by Paul Mescal, Harris Dickinson, Joseph Quinn and Barry Keoghan.

That line-up undoubtedly consists of four of the finest young actors that the UK and Ireland currently has to offer. All four have proved their credentials across both small independent dramas and major big-budget blockbusters, with Mescal's superb Oscar-nominated lead role in Aftersun and Keoghan's heartbreaking supporting turn in The Banshees of Inisherin just two of the memorable performances the quartet have collectively offered in the last few years.

And yet, I can't help but find the announcement a little uninspiring. Clearly, I'm not alone: there's already been some early backlash to the news, with one major bone of contention being that no actors from Liverpool have been chosen to play four of the city's most famous sons.

But aside from those complaints, I also wonder if this could have been a brilliant opportunity to create four brand new stars – to find young performers with spades of both acting and musical talent and catapult them to super-stardom in much the same way that the Beatles took off after those early Cavern Club performances. I have no doubt that such performers are out there to be discovered, and so the decision to go for four already established names just seems a little... well, dull.

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Of course, I fully understand that studios are often required to choose stars of a certain standing in order to ensure their projects are considered box office draws (Maya Hawke's recent comments that some producers are known to hire based on social media followings was a somewhat sobering reminder of this) but surely if there's one case where that might not be necessary it's in telling the story of the most famous band that ever was. Do cinemagoers really need to see big names attached to be convinced to see a film about the Beatles?

Choosing very famous actors to play very famous musicians is, of course, not a new thing. We need only go back a few months to Timothée Chalamet's Oscar-nominated performance as Bob Dylan in A Complete Unknown to find the most recent high-profile example. And while Chalamet was impressive in that role, I nonetheless found it hard to look past the fact that I was watching one of the most famous actors in the world dressed up in a costume and doing an – admittedly rather good – impression.

It's an issue which has come up time and time again, and it seems likely that the same might now be true for these Beatles films. Perhaps if Mendes and his team had chosen four actors who we had little prior association with, some of that might have been avoided. In other words, it would take less suspension of disbelief with an unknown than it does to buy that the long-haired guitar player from Stranger Things is actually George Harrison.

The Beatles at a press conference at the Gaumont State Cinema, Kilburn, London, 23 October 1964. Left to right: Ringo Starr, John Lennon, Paul McCartney and George Harrison. (Photo by Daily Mirror/Daily Mirror/Mirrorpix via Getty Images)
The Beatles. Daily Mirror/Daily Mirror/Mirrorpix via Getty Images

Interestingly, one of the things that stood out about the decision to cast a CGI chimpanzee as Robbie Williams in last year's bonkers biopic Better Man was that it stopped the audience making direct comparisons between actor and musician. And while I'm not saying that four different CGI animals should have been selected to take on the lead roles here (I'm also not not saying that), this did highlight the fact that sometimes outside-the-box casting is more interesting than just choosing big names when it comes to shaking up the biopic genre.

Shaking up the genre is clearly something Mendes very much has in mind – the decision to make four films in what is being dubbed as the the first "bingeable cinematic experience" is testament to that. And perhaps these films will still end up being another welcome antidote to the continued obsessions with staid, paint-by-numbers biopics – I just think it would have been a more interesting proposition with a less well-known cast.

The Beatles films will be released in April 2028.

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Authors

Patrick Cremona, RadioTimes.com's senior film writer looking at the camera and smiling
Patrick CremonaSenior Film Writer

Patrick Cremona is the Senior Film Writer at Radio Times, and looks after all the latest film releases both in cinemas and on streaming. He has been with the website since October 2019, and in that time has interviewed a host of big name stars and reviewed a diverse range of movies.

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