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James Mottram
The Killer review: Fassbender makes triumphant return to acting
James Mottram
Maestro review: A heartfelt work of astonishing beauty
Why critical Friends director is wrong about Helen Baxendale's Emily
Rob Leane
Starfield review: Set phasers to slow burn in this epic new sci-fi game
Lewis Knight
EastEnders' epic Cindy Beale return week was a true gift from the soap gods
Laura Denby
Why EastEnders must resurrect Fatboy next after glorious flashback cameo
Jess Bacon
Star Wars needs Ahsoka's flawed female characters
Abby Robinson
And Just Like That's Carrie-Aidan limbo is worse than Big's death
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And Just Like That, Samantha Jones's cameo was a complete waste of time
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At Home with the Furys finally turns the reality TV lens to mental health in a good way
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25 years later, Blade has a lot to teach the Marvel Cinematic Universe
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Remembering Michael Parkinson, the greatest interviewer of them all
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Blue Beetle review: Snappy, unapologetically silly but predictable
James Mottram
Heart of Stone review: A derivative, deadly dull espionage actioner
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Red, White & Royal Blue review: The sexy gay romcom we've been waiting for
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Carrie's big decision in And Just Like That means more than you think
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Gran Turismo: Based on a True Story review - Ideas above its PlayStation
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Platonic relationships in film offer empowering message about women's happy endings
Liam O'Dell
Why Heartstopper's asexual representation means everything to me
Laura Denby
Heartstopper made a crucial change for its season 2 finale – and it paid off
Louise Griffin
Never mind Morbius - Matt Smith would be a fantastic Reed Richards
Meg Walters
And Just Like That, Big became a big mistake?
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No, the Strange New Worlds musical doesn't betray Star Trek
Grace Henry
Why Love Island's Whitney and Lochan coming second isn't a bad thing
Shaheena Uddin
Barbie is not just ‘white feminism’ – it's for everybody
Laura Denby
EastEnders must give tragic heroine Whitney the happy ever after she deserves
George White
The Witcher can thrive without Henry Cavill – as its real star remains
Morgan Cormack
The Crowded Room redeems itself with an excellent finale
Patrick Cremona
Oppenheimer was right not to show Hiroshima and Nagasaki bombings
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