The Decameron's Saoirse-Monica Jackson and Zosia Mamet on characters' unbreakable bond
"Where does one end and the other begin?"
![The Decameron Zosia Mamet as Pampinea and Saoirse-Monica Jackson as Misia, standing next to one another, with a green RT exclusive banner in the bottom right corner](https://images.immediate.co.uk/production/volatile/sites/3/2024/07/netflix-f6717ee.jpg?quality=90&resize=980,654)
Netflix's new Bubonic Plague comedy The Decameron will see nobles flee the pestilence making its way through Italy by making their way to a luxury villa in the countryside.
Naturally, though, they don’t go anywhere without their servants in tow.
However, in the case of the ever-spoilt Pampinea (Girls’ Zosia Mamet) and her long-suffering underling Misia (Derry Girls' Saoirse-Monica Jackson), their relationship extends beyond the normal realms of what it means to be a lady and her humble servant.
In fact, it becomes so toxically co-dependent that even the two stars struggle to explain where one character ends and the other begins.
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Speaking exclusively to RadioTimes.com, Jackson explained: "It's really like they're sisters, but not at all at the same time.
"In other ways, it's like Pampinea is Misia's child, and Misia is being abused by a very spoiled person-child."
She added: "There's a lot of legacy already with these two characters when we're meeting them.
"Throughout the show, they sort of refer to memories from when they were kids and stuff, so we sort of imagine that they've been together since childhood, and Misia has no intention of really leaving her side at all.
"Pampinea casts quite a large shadow for her to be able to stand and hide in."
![THE DECAMERON Saoirse-Monica Jackson as Misia, Zosia Mamet as Pampinea and Tony Hale as Sirisco, standing talking to one another](https://images.immediate.co.uk/production/volatile/sites/3/2024/07/DECAMERON-d4b3ab2.jpg?quality=90&fit=700,467)
Praising her time working with Mamet, Jackson said: "I feel like when you work with such great actors, you know, that shorthand and that relationship is so easily developed, because you have a genuine interest and you're enjoying every day when you're at work together."
"The feeling's so deeply mutual, we could talk about how much we love each other 'til the cows come home," added Mamet.
"We talked a lot about the fact that they've probably been each other's most constant relationship since they were children.
"They have probably been in each other's lives longer than anyone else, and it was really incredible to get to play with the nuance of that.
"There is a power dynamic there, obviously, that Misia is in a role of servitude, but that there's also this weird co-dependence that's coming from both sides, and I think in so many ways, they have... their roots have grown into one another's.
"So the idea of attempting to extricate or, like, 'Where does one end and the other begin?' is almost too overwhelming for them to even think about, because I think they've almost started to sort of grow into one individual."
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Together, Mamet and Pampinea head off from their lives in Florence and head to Villa Santa, with Pampinea under the promise of finally getting the husband she’s been desiring for so long.
However, things soon go awry, and the pair find themselves dealing with a household full of whacky nobles, all struggling to comprehend just how bad the pandemic actually is, believing them above it as members of society.
As their time at Villa Santa continues, their relationship is pushed to its limits, especially when it becomes clear their time of wine-soaked debauchery is over.
Can one survive without the other?
The Decameron is available now on Netflix – sign up for from £4.99 a month. Netflix is also available on Sky Glass and Virgin Media Stream.
Check out more of our Drama coverage or visit our TV Guide and Streaming Guide to find out what's on. For more from the biggest stars in TV, listen to The Radio Times Podcast.