As Dune: Prophecy nears, stars Emily Watson and Olivia Williams have spoken out about the responsibility they felt to avoid potentially damaging tropes in the show – most prominently, depicting "feminine hysteria".

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The new series, set 10,000 years between Denis Villeneuve's films, follows the Harkonnen sisters, Valya (Watson) and Tula (Williams) as they establish the sect that would come to be known as the Bene Gesserit, a Sisterhood of women who possess superhuman powers and abilities by undergoing years of intense physical and mental conditioning. During the course of the series, the sisters are forced to face an existential threat.

In one scene, which Watson brands "terrifying", Tula encourages the young acolytes of the Sisterhood to delve into their subconscious and draw whatever vision appears in their mind – but, as they scrawl, faster and faster, they show physical signs of terror and she struggles to bring them back to consciousness.

Williams exclusively tells RadioTimes.com: "I had some very, very strong feelings about how that scene should unfold, because the depiction of hysteria in women is such a troubled area, that truth comes out of a form of feminine madness. I just didn't want to perpetuate that myth.

Olivia Williams as Tula Harkonnen in Dune: Prophecy
Olivia Williams as Tula Harkonnen in Dune: Prophecy. HBO

"But there are some elements that of the power of these women that is still sort of rooted in misconceptions about women. But women do still have to run power from a sequestered place away from men behind a veil. Still, women cannot come out front and centre and be president."

She explains: "I didn't want it to end up being like [Arthur Miller's play The Crucible]. I didn't want it to be women shaking and seeing the devil and it being some kind of hysteria. The word hysteria is based in the word for uterus – it's the same root of the word – and I wanted it to have a more muscular feel than a uterine one!"

Watson adds of the collaborative atmosphere on set: "When we've been doing this as long as we have, you've got a lot of experience around how to find your space and find your moment and find the way to live in all of that. Because everything's happening so quickly, and there's a billion things going on at any one moment, just to go, 'We are all together, in this together,' it was a really potent thing."

Emily Watson as Valya Harkonnen in Dune: Prophecy
Emily Watson as Valya Harkonnen in Dune: Prophecy. HBO

"Lots of people have asked us, 'Why have you never worked together before?'" she continues: "And, well, we would have, but rarely do you get a script that has two women in their 50s leading a show..."

"...Talking to each other!" Williams adds.

Watson explains that the sisters are the heart of the show are "from a truly, truly messed up background where they are full of trauma and vengeance and and with many, many dark secrets to keep close".

Williams continues: "All hidden behind a very handy veil so that you can't see what's going on. And [it's] the power of what you can do sequestered from men and convincing them that you can read their mind and tell when they're lying, which is a very powerful weapon."

"A key moment for me, is the fact that she has been kind of anointed by the previous head of the sisterhood," Watson says of Valya.

"She was a very vulnerable and damaged young woman, and this woman has gone, 'I see you. You're very powerful, you're very special, and you are the chosen one.' And that's very dangerous thing to do, because then you think that the end justifies the means, and lots of bad things happen."

As for the threat that the Sisterhood is facing? "It's an existential threat of destruction," Watson explains. "The point of it being that we don't know what we're facing. We can't work it out, we can't figure it out. And the figuring out of it will start to tear us apart."

Dune: Prophecy comes to Sky and NOW on Monday 18th November 2024.

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Authors

Louise Griffin is the Sci-Fi & Fantasy Editor for Radio Times, covering everything from Doctor Who, Star Wars and Marvel to House of the Dragon and Good Omens. She previously worked at Metro as a Senior Entertainment Reporter and has a degree in English Literature.

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